Color is a notoriously difficult subject within the history and theory of photography, often judged by its technical success or failure. But the difficulties of color—technical as well as aesthetic—reveal instabilities between a technology of reproduction and the world it is supposed to replicate.
In this invited lecture presented by the Research and Academic Program, Rachel Lee Hutcheson (Rochester Institute of Technology) analyzes a number of early camera-recorded color photographic technologies from the turn of the twentieth century in which local color was achieved not through hand-applied means, but as phantasmic arrangements of red, green, and blue color separations configured …
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